So, thanks to Janice S. for the link to this strange, strange story.
Essentially this tells the story of Tolkien's appropriation in the Italy of the 1970s by 'Traditionalism',
a counter counter-culture movement who even staged their own right-wing Woodstock. Which they chose to call "CAMPO HOBBIT", deliberately evoking Tolkien's character. The movement seems to have fallen apart after 1981, but it's disconcerting to see Tolkien's characters used in such a context and for such a purpose.
And equally disturbing to hear that in these days, with the resurgence of white supremacy here and abroad, that this past summer saw a new such gathering forty years on, "Campo Hobbit 40"
The author of the piece, John Last, concludes that
"Middle Earth remains an empty stage onto which ideologues of all stripes can project their politics."
Except, I wd say, it's not. Middle-earth isn't an empty stage: Tolkien has plenty of ideas, strongly and subtly presented, such as his championing of anarchism with the Ents and their Moot, or his critique of apartheid in Bree. You have to willfully misapprehend him, picking and choosing with deliberation aforethought, to get a White Supremacist tract out of THE LORD OF THE RINGS, much less THE HOBBIT.
Given the climate of our times, and previous attempts by various unsavory groups to claim Tolkien as one of their own,* I think we can expect to see more pieces like this. Unfortunately.
current reading: ON EAGLES' WINGS by Anna Thayer (2016), a book on Tolkien's use of deus ex machina, and HUEY P. LONG: SOUTHERN DEMAGOGUE OR AMERICAN DEMOCRAFT? ed. Henry C. Dethloff (1967).
*e.g the notorious 'That Noble Northern Spirit'.